Commerical Work
Art: Whitney Museum of American Art LUmkA Christie’s New York
Brands: Arc + Bow MARKET Mindfull Energy
Musicians: Reneé Rapp Dana and Alden Nick Motley Born October 4th, 1998
Art: Whitney Museum of American Art LUmkA Christie’s New York
Brands: Arc + Bow MARKET Mindfull Energy
Musicians: Reneé Rapp Dana and Alden Nick Motley Born October 4th, 1998
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Whitney Museum of American Art [video production, social media management]
Select Links:
1. Ken Ohara: CONTACTS (2025)
2. Valentine's Day (2025)
3. FFN: Disco-themed Jazz Class (2024)
4. FFN Ailey Promo (2024)
5. “I said what I said” (2024)
6. Gen Z Coordinator Interviews (2024)
1. Ken Ohara: CONTACTS (2025)
2. Valentine's Day (2025)
3. FFN: Disco-themed Jazz Class (2024)
4. FFN Ailey Promo (2024)
5. “I said what I said” (2024)
6. Gen Z Coordinator Interviews (2024)
LUmkA Gallery
[curation, exhibition text writing, installation photography]
Backstage at The Theatre (documentary). Directed by K14n4.
The Theatre was located at 158 Rivington Street, NYC, NY, and on view from 3 to 30 May 2025.
The Theatre houses environmental installations by Anna Ting Möller, Luca Rekosh, Marianna Rothen, and Miles Scharff to disrupt the consumer mind and propose a more authentic mode of being. Opposing qualitative and quantitative reasoning, sensory perception, memory, and physical and immaterial realities organize the experiential model of exhibition.
In a late-capitalist society that validates existence through perpetual consumption, we lose sight of the fact that reality is largely immaterial at its atomic level. Meanwhile, consumption becomes data, feeding algorithmic systems that target the unconscious mind—awakening desire like a sleeper agent. These subliminal cues amplify consumer longing, reinforcing a positive feedback loop that commodifies even the most intimate practices and distances us from embodied experience.
In the ruins of a hype-beast retailer, a mélange of mannequins, animism, and electromagnetic-field interpretations becomes The Theatre. Through sensory-based interventions, the exhibition disrupts this addictive compulsion toward materialism, proposing an invitation to return to presence, perception, and the reality of lived experience.
Co-curated by Cortney Connolly and Mila Rae Mancuso.
Selected Press “Editors’ Picks: Theo Belci on his best shows of 2025” by Theo Belci for Artforum, “Weirdness” by Jessica Almereyda for The Ersatz Experience, “Mirror Mirror on the Wall, This is 'The Theatre’” by Madelyn Grace for Cult Bytes, “Double Vision” by Meinzer for Impulse Magazine, and “All of the Art You Can’t Afford to Miss in NYC” by Sam Falb for Elephant Magazine.
[curation, exhibition text writing, installation photography]
The Theatre houses environmental installations by Anna Ting Möller, Luca Rekosh, Marianna Rothen, and Miles Scharff to disrupt the consumer mind and propose a more authentic mode of being. Opposing qualitative and quantitative reasoning, sensory perception, memory, and physical and immaterial realities organize the experiential model of exhibition.
In a late-capitalist society that validates existence through perpetual consumption, we lose sight of the fact that reality is largely immaterial at its atomic level. Meanwhile, consumption becomes data, feeding algorithmic systems that target the unconscious mind—awakening desire like a sleeper agent. These subliminal cues amplify consumer longing, reinforcing a positive feedback loop that commodifies even the most intimate practices and distances us from embodied experience.
In the ruins of a hype-beast retailer, a mélange of mannequins, animism, and electromagnetic-field interpretations becomes The Theatre. Through sensory-based interventions, the exhibition disrupts this addictive compulsion toward materialism, proposing an invitation to return to presence, perception, and the reality of lived experience.
Co-curated by Cortney Connolly and Mila Rae Mancuso.
Selected Press “Editors’ Picks: Theo Belci on his best shows of 2025” by Theo Belci for Artforum, “Weirdness” by Jessica Almereyda for The Ersatz Experience, “Mirror Mirror on the Wall, This is 'The Theatre’” by Madelyn Grace for Cult Bytes, “Double Vision” by Meinzer for Impulse Magazine, and “All of the Art You Can’t Afford to Miss in NYC” by Sam Falb for Elephant Magazine.
Christie’s New York
[video production]
Shot and edited a short-form video to support the auction, The American Collector, featuring objects from Jimmy and Rosalind Carter’s collection for the auction house, featuring Ryan Ramos, a 5-year-old Jimmy Carter superfan! The video went viral, amassing 475K views on Instagram.
[video production]
Shot and edited a short-form video to support the auction, The American Collector, featuring objects from Jimmy and Rosalind Carter’s collection for the auction house, featuring Ryan Ramos, a 5-year-old Jimmy Carter superfan! The video went viral, amassing 475K views on Instagram.
Arc + Bow[photography, cd]
Cuore Mio, Valentine’s Day 2025 Capsule Collection
cd: Camryn Kanevsky
lighting: Nico Daniels
md: Malia Sine
cd: Camryn Kanevsky
lighting: Nico Daniels
md: Malia Sine
The Waffle Re-Edition for Urban Outfitters, 2024
cd: Camryn Kanevsky
mds: Bianca Arvidsson and Glory Renlow
mds: Bianca Arvidsson and Glory Renlow
MARKET Studios (prev. Chinatown Market)
[event production, creative direction]
Produced a NYFW party for MARKET Studios at their Chinatown pop-up, transforming the space into a 1970s-inspired prom night. Featuring a runway and performances from Nick Cheo, Dana and Alden, and more, hosting over 500+ guests.
Hosted by Gucci Pineapple (Alden McWayne)
Creative Direction + Event Production: Mila Rae Mancuso + Annie Arriaga
Event Photography: Sam Wachs
Produced a NYFW party for MARKET Studios at their Chinatown pop-up, transforming the space into a 1970s-inspired prom night. Featuring a runway and performances from Nick Cheo, Dana and Alden, and more, hosting over 500+ guests.
Hosted by Gucci Pineapple (Alden McWayne)
Creative Direction + Event Production: Mila Rae Mancuso + Annie Arriaga
Event Photography: Sam Wachs